They just don’t swing. So I learned to give them half notes, quarter notes, whole notes, especially on ballads and things. But when they have to play a series of eighth notes, they’re going to play them exactly the way it’s written, whereas swing players interpret it with a bounce feel. So I was very cautious. In other words, if I had to play something like [Bellson sings the melody of Undecided], I give that to the saxophones or trumpets. But the strings, they would play it [Bellson sings Undecided with a straight rhythm rather than a swing rhythm] …